![]() This influence of this thinking is clear in ITC Bauhaus.īauhaus is used frequently for public signage, especially to evoke the art deco feel of the early 20th century, and for other display and decorative uses. In that work, design was broken down to the absolutely essential, and geometric shapes such as triangles, circles and rectangles were emphasized. By contrast, Benguiat’s Bauhaus includes a traditional complement of both upper – and lower-case characters, and many subfamilies, such as ITC Bauhaus CE, have the additional glyphs necessary to support Central European and other language-dependent character sets.īenguiat’s design remained largely faithful to the spirit of Bayer’s work, which itself was inspired by the groundbreaking work of the Bauhaus. ![]() Bayer was commissioned to design a typeface for all the printed material of the Bauhaus – the famous German school of architecture and design - and designed an uncial geometric typeface devoid of serifs or any other adornment. ITC Bauhaus Historyīauhaus was designed in 1975 by Edward Benguiat and Victor Caruso, who drew heavily on Herbert Bayer’s seminal work creating the Universal typeface in 1925. Very distinctive in appearance, it’s often found in applications where form is at least as important as function. The ITCBauhaus® typeface family is a small collection of sans serif fonts of geometrical design with monotone strokes in each of its five weights.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |